What to do when you must write that tough scene?
Jada's mom has just come home after a long shift at INOVA to find Siggi, the mass murderer, in her house, after she told Jada never to see Siggi again, and to call the cops if she did.
Now this.
I'm not good with confrontation, but who is?
This is the writer's life. You have conflict: it must resolve or it must escalate, or everybody pretends to ignore the white elephant in the room.
But you, the writer, aren't writing the book to shy away from the hard choices. You, the writer, have to face them, then write them.
